Goal: better resistance while maintaining intonation, response, and strength Plan: Create steeper tapers overall, working closer to the rails. Remove very little cane. Suggestions for Finer Work Is the second wire snug? Can you round the tube? Check the tip bevel Return to the DBL model to see more tests that can be performed.
Continue readingMore TagAuthor: Jessi Vandagriff
Unstable + Weak + Free-blowing
Goal: more stable intonation, stronger, better resistance Plan: Your reed needs steeper tapers for all elements. Work closer to the rails, and according to the quality of the cane and the reed’s natural break-in period. Suggestions for Finer Work Is the critical point the correct thickness? (60-61 hundredths of a millimeter OR 24-25 thousandths of […]
Continue readingMore TagFlat + Weak + Free-blowing
Goal: sharper, stronger, better resistance Plan: Your reed needs steeper tapers overall. Work mostly in the front third of the reed, toward the rails, and according to the quality of the cane (which is likely to be soft in this instance) and the reed’s natural break-in period. Suggestions for Finer Work Is the critical point […]
Continue readingMore TagSharp + Weak + Free-blowing
Goal: flatter, stronger, better resistance Plan: These are not complementary objectives. The must likely culprit is bad quality cane. RIP. Return to the model to begin your next adventure.
Continue readingMore TagUnstable + Strong + Free-blowing
Goal: more stable intonation, easier to play, better resistance Plan: Remove cane for ease and create steeper tapers overall for stability and better resistance. Work mostly in the middle and front third channels towards the rails and according to the quality of the cane and the reed’s natural break-in period. Suggestions for Finer Work Is […]
Continue readingMore TagFlat + Strong + Free-blowing
Goal: sharper, easier to play, better resistance Plan: To improve all elements of the reed, remove cane in steeper tapers. Work mostly in the middle third of the reed, closer to the rails and according to the quality of the cane and the reed’s natural break-in period. Suggestions for Finer Work Is the reed the […]
Continue readingMore TagSharp + Strong + Free-blowing
Goal: flatter, easier to play, better resistance Plan: Remove cane for flatter intonation and create steeper tapers in the front third for better resistance. Work all over (leaving the back as strong as possible) and according to the quality of the cane and the reed’s natural break-in period. Suggestions for Finer Work Is the critical […]
Continue readingMore TagUnstable + Weak + Stuffy
Goal: more stable intonation, stronger, more free blowing Plan: Flat + Weak + Stuffy most likely means that you have poor quality cane (especially if you are on Day 3 or later). Another culprit could be unbalanced construction (taking too much off the rails too far back, for example). RIP. Return to the model to […]
Continue readingMore TagFlat + Weak + Stuffy
Goal: sharper, stronger, more free blowing Plan: Flat + Weak + Stuffy most likely means that you have poor quality cane (especially if you are on Day 3 or later). Another culprit could be unbalanced construction (taking too much off the rails too far back, for example). RIP. Return to the model to begin your […]
Continue readingMore TagSharp + Weak + Stuffy
Goal: flatter, stronger, more free blowing Plan: Sharp + Weak + Stuffy most likely means that you have poor quality cane (especially if you are on Day 3 or later). Another culprit could be unbalanced construction (taking too much off the rails too far back, for example). RIP. Return to the model to begin your […]
Continue readingMore Tag